Moving image is an effective component in visual culture, and so, the work reflects on this consumption and the genuflection towards a status quo that issues these actions. In using film as a medium to discuss the ever-rising expectations of women and identifying labour as a norm. A labour that is directed by industries that criticise the natural development of young girls and women which provoke a condition of laborious efforts to achieve the ideal specimen, to control and manipulate.

In isolating these different areas of labour, the film present a space, a white space, a sacrificial space. A space where absurdities are in full realisation, from current ritualistic beauty trends to the sacrifice for approval of a domestic goddess. The work presents a dialogue between the endless work in isolation that perpetuates perfection for the outside world, in deafening silence.